"The Wolf Act succeeds for the way it embraces scene. It operates using metaphor, sensory evocation, and a conceit that engages the imagination. It does what the best nonfiction does--perform voice on the page, striking terror, love, empathy, fear, tenderness, in the heart of the reader. Andrew successfully connects the personal struggle to a larger understanding of how the individual struggle shapes our world."
Nicole WalkeR, author of Processed Meats, Sustainability: A Love Story, and The After-Normal
"'Alchemy: An Abridged Biography' braids together the incongruous in the tradition of non-fiction writing, while brief, episodic stanzas attempt to build towards (or alchemize towards) a cohesive narrative of the self. Where the poem fails, repeats, reattempts (“which also means it’s possible to transmute lead into gold / and death into life and me into—more or less—me”), it veers to the outer edges of its long, enjambed lines, even as it veers towards the edges of the universe (inherently always experienced by a self). Deeply philosophical and sonically evocative (“tilt my head back and lick glass clean”), “ALCHEMY” is the poem as a question that must endlessly be asked. Each time I read it I am profoundly moved."
Raena Shirali, author of GILT
I was immediately struck by the honesty and courage of this piece. Only the best essays can take something apparently simple or mundane—like getting one’s ears pierced—and peel back all the layers to reveal the beautiful complexity of such actions... It’s an essay--filled with rich detail and pitch-perfect dialogue--about addiction, identity, self-acceptance, and the messy complicated nature of brotherly love. As readers, we’re there in that moment with the author, feeling the weight of it all, when he says, “And when he tells me to breathe out, I hope my brother can breathe out with me,” and we realize we’ve had our breath taken away, too.